Richard Stöhr Collection, 1890-1974 | Saint Michael's College Archives & Special Collections

By Elizabeth B. Scott

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Collection Overview

Scope and Contents of the Materials

Collection Historical Note

Subject/Index Terms

Administrative Information

Box and Folder Listing

Box 1

Folder 1: Waltz for two Flutes and Piano ‘Mary--Jean Waltz”, May 1942. Score and parts.     Collection of Sketches for Flute and Piano, January 1943. Composed for Mrs. Mary McNamara. Score and flute ( Zephyr’s Song, Lonesome Orphan, Squirrels, Farewell to the Summer, Two Temperaments, In a Whirl)

Folder 2: Quintet for 4 Recorders and Piano, Op. 87, 1942. Score only / Suite for 4 Recorders and Spinetto, Op. 111 A, August 1945. Score only

Folder 3: Concerto for Trumpet and Piano, Op. 40

Folder 4: Scherzo for Trumpet and Piano, between Op. 129 and 130, 1949 / Waltzes for Violin and Piano (“Heimweh”), no Op.# March 1942.  Score and violin / Three Waltzes for Piano and Violin, Op. 88, November 1942. Score and violin / Suite for Piano and Violin, Op. 117 A.  Score and violin / Suite for Piano and Violin, Op. 117 B, 1946. Score and violin / Ballet Suite for Piano and Violin, Op. 126 B, 1948. Score and violin

Folder 5: Ten Miniatures for Violin and Piano, Op. 89, 1942--43. / Sonata in D minor for Violin and Piano, Op. 82, 1942. (for Dr. Wilhelm Raab).

Folder 6: Suite for Organ and Violin, Op. 102, 1944. Ded. Miriam Natilee Marstori Score and violin

Folder 7: Suite for Organ and Violin, Op. 102, 1944.

Folder 8: Sonata for Violoncello and Piano, Op. 49.  2 c. of score and violoncello / Vier Phantasiestücke  Suite of four Fantasy Pieces for Violoncello and Pianoforte, Op. 17. Score and cello

Folder 9: Violin Sonata VII, Op. 107, May 1945. Score and violin /Violin Sonata VIII, Op. 115, May 1946. Score and violin

Folder 10: Violin Sonata XIV, Op. 134 A, Sept. 1950. One Score and violin / Violin Sonata XV, Op. 134 B, Sept. 1950.  Score and violin part,one working copy

Folder 11: Violin Sonata V, Op. 95, Sept. 1943. Ded. Dr. Wilhelm Raab. Score and violin / Violin Sonata IX, Op. 118, 1947. Ded. Dr. Wilhelm Raab. Score and violin.

Folder 12: Violin Sonata VI, Quasi fantasia, Op. 103, July 1944. Ded. Dr. Raab. Score and violin. / Violin Sonata X, Op. 122, Feb. 1948. Score and violin

Box 2

Folder 1: Violin Sonata XI, Op. 125, Summer 1948. Score and violin / Violin Sonata XII, Op. 130, August 1949. Score and violin / Violin Sonata XIII, Op. 131, Christmas 1949. Score and violin

Folder 2: Sonata for Piano and Violin, Op. 62. Score and violin

Folder 3: Konzert -- Fantasie, Op. 50. For violin with orchestral accompaniment. Score violin and piano / Sonata for Piano and Violin, Op. 27. Score and violin

Folder 4: Dance Suite for two Violins and Piano, Op. 140, 1953. Composed for W&F Raab. Score and Violin II /  Five other works for the Raabs Violin and Piano Violin, Violoncello and Piano

Folder 5: Kammersymphonie, Op. 32.<p style="margin-left:.25in;"> Nonett für Streichquartett. Oboe, Klarinett, Horn, Fagott und Harfe.

Folder 6: Kammersymphonie, Op. 32.<p style="margin-left:.25in;"> Nonett für Streichquartett. Oboe, Klarinett, Horn, Fagott und Harfe.

Folder 7: Kammersymphonie, Op. 32.<p style="margin-left:.25in;"> Nonett für Streichquartett. Oboe, Klarinett, Horn, Fagott und Harfe.

Folder 8: Wiener Music (Viennese Songs), no Op #, 1943. / Wiener Musik vom Anfang des 2Oten Jahrhunderts. (Viennese Music of the 20th Century) arr.violin and piano, 1945. / Wien, die Stadt meiner Träume (Vienna, City of my Dreams) arr. . violin and piano. (Score only)

Folder 9: Two Roads to Victory -- “Musical Poem” -- for flute, 3 trumpets, 2 trombones, 2 saxophones, 2 violins and solo violin, piano and percussion. Score and some parts.

Folder 10: Suite for Flute, Violin and Violoncello, Op. 76, Dec. 1941. Complete score and parts.

Folder 11: Trio for 2 bassoons (or cello) and piano, Op. 53, Aug. 1916. Score and parts for bassoons (or cellos) / Six sketches for flute and piano, Op. 90, Jan. 1943. Ded. Mrs. McNamara of Burlington, Vermont. Score and flute

Box 3

Folder 1: Suite for 2 flutes, violin and piano, Op. 80. Score and parts.

Folder 2: Suite for flute and string quartet, Op. 52. Score and Parts / Flute Sonata, Op. 61. Score and flute

Folder 3: Suite No. 2 for string orchestra, Op. 120, 1947. Score only /American Overture for string quartet (or string orchestra) and piano, no Op. #, 1937. Score only

Folder 4: String Quartet No. IV in E minor, Op. 114, May 1946. Score only / Suite for Piano and String Quartet, Op. 141, March 1955. Score only / Ten Intermezzi for string quartet, Op. 124. Score only

Folder 5: Concerto in olden style, Op. 68, for string orchestra, piano obligato and percussion (timpani, cymbals, snare drum, triangle, bells). Score only

Folder 6: Overture, “The Hour of Liberation”, no Op #, May 1937. For string quartet and piano. Score and string parts. (N.B. Title, as shown above, was pasted over the original heading which stated “Ded. Mr. and Mrs. Mattbeso, May 1937”).

Folder 7: Quintet for piano and string quartet, Op. 94, Aug. 1943. Score and parts complete.

Folder 8: Piano Quintet (string quartet and piano), Op. 111 B. Score and parts complete

Folder 9: Sextette for Violin, Clarinet, French Horn, ‘cello, two Pianos, Op. 133. Score and Piano II (no separate part for Piano I) / Trio for Violin, ‘cello and Piano, Op. 127, in 0 minor. Score and parts. /  Trio for Violin, ‘cello and Piano, Op. 100 in A minor. Score and parts.

Folder 10: Trio for Violin, Violoncello and Piano, Op. 16. Score and Parts

Folder 11: Trio for Violin, Violoncello and Piano, Op. 16. Score-Parts

Folder 12: Trio for Violin, Violoncello and Piano, Op. 16. Score- Parts

Box 4

Folder 1: 1 Trio for Violin, ‘cello and piano, Opus 77. Score and parts. /Trio for Violin, ‘cello and piano, Opus 97. Score and parts.

Folder 2: Trio in C minor, Opus 137, for violin,  cello and piano, March l952 Score and parts

Folder 3: Trio in C minor, Opus 137, for violin, ‘cello and piano, March 1952. Score and parts

Folder 4: (Printed) Quartet for Piano, violin, viola and violoncello, Opus 63. Full ScoreViolin,Viola,Violoncello

Folder 5: (Printed)String Quartet in D minor, Opus 22. Parts , Miniature Score

Folder 6: String Quartet in A minor, Opus 92, March 1943. Score and parts.

Folder 7: String Quartet in E flat, Opus 86, Sept. 1942. Score and parts.

Folder 8: Printed)Quintet C moll, Opus 43. Score and parts.

Folder 9: Piano --earliest efforts from Opus I, 1880.

Folder 10: Letzte Blüten (12 Klavierstücken), Opus 71, June-July, 1941/  Twelve Pieces for Piano Solo, Opus 98. (N.B. Pages 35 and 36 (final pages) missing.) / Twelve Pieces for Piano Solo, Opus 105, Nov. 1944.

Folder 11: Twelve Pieces for Piano Solo, Opus 121, Jan. 23, 1948. /Doppelfuge für Klavier mit Orchester, no Opus number, 1937. Arranged for two pianos.

Folder 12: (Printed )Bilder aus Natur und Leben -- 6 pieces for piano, Opus 41 /  Märchen -- Stimmungsbild für Klavier, no Opus number, 1910. / Sechs Konzert -- Etüden, Opus 26, no. 1. Für Pianoforte. /Zwei Stimmungsbilder für Klavier, Opus 4, nos. 1 and 2.

Folder 13: Solo piano pieces -- 1. Rhythmen aus dem Osten, 1936.  2. Old Vienna, 1939.  3. Wien (Abschied für immer) for Bach’s birthday.  4. Reiter Fanfaren (Horseback Flourish), 1936. / Duets for piano -- 1. Suite (no title), 1955.  a. untitled, in D major. b. Intermezzo, in A minor. 2. Overture für Orchester, E major, 1894. 2 sketches (experiments) on opening pages. / Solo piano pieces, dedicated to Burlington people -- 1. The Blue Danube Waltz, transcribed, 1909, after the original sketch of 1872. Dedicated to dear Barbara Beal (pupil of Dr. Stoehr) with a poem addressed to her -- Christmas 1949.  2. Three piano pieces dedicated to Olga Raab, Christmas 1944.-- a. Revelling in Nature.  b. Dance Poem. c. Á la Bocherini./ Solo piano pieces, dedicated to members of Dr. Stoehr’s family --1. Piffy tanzt (to Mrs. Stoehr), Opus 70, no. 2.  2. Meiner lieben Hedy, July 20, 1941, “Ruf des Frühlings”, copied May 4, 1958.  3. “Anticipation” (Hedi, the young mother), August 1947. Dedication page -- “To the 20th Birthday of my Hedi, from her loving Daddy”, and a poem written by him. / Songs to texts of Dr. Wilhelm Raab  1. “Zwischen Gestern und Morgen”, 1947 2. Bergwiese in Vermont, 1948 3. Ave Läuten, 1952

Box 5

Folder 1: (printed)Fünf Klavierstücke, Opus 23. /(printed c.)Von den Mädchen, 12 pieces for piano, Opus 64.

Folder 2: Tales about imps and Faries for piano, Opus 128, 1948. / (Ms)Rhapsody for piano, no Opus number, 1953. / I Rückblick, Opus 70, no. 1, für Pianoforte, 1940. / Veranderungen und Fuge über ein trauriges Thema, für Pianoforte, Opus 70, no. 3, 1941./ Suite for piano, Opus 132 B, Jan. 31, 1950. / Ballet Suite for Piano, Opus 112, Oct. 1945. /Suite for piano, Opus 135 C, Dec. 18, 1951.

Folder 3: Fünf Intermezzi für Pianoforte und Harmonium, Opus 35, Nos. 1--5.

Folder 4: Romantische Klavier Sonate, Opus 139, a-d, Aug-Nov. 1952. / Suite für Klavier, Opus 116, a--c, Dec. 1946. / Klavier -- Sonate in A flat, Opus 113, a-c, Feb. 1946.

Folder 5: Suite in D minor for piano 4 hands, Opus 135 A, Oct. 1950. Score only / /Second Piano Duet, Opus 135 C, Feb. 1952. Score only / Symphonie No. III in C major, Opus 93, Summer 1943. Arranged for piano, 4 hands. Score only

Folder 6: Suite in E flat major, for two pianos, Opus 123, March 1948. (Xerox Copy) written for Ruth Millington who has the original score. Also Score and Piano II. /Ballet Suite No. II for 2 pianos, Opus 138, 1952. Score

Folder 7: Vermont Suite, Opus 72, July 1941. Arranged for two pianos. Score and Piano I. /  An Artist’s Life, Opus 101, Symphonic Poem, No. II. Arranged for two pianos. Score and Piano II. (N.B. Inside the Score is the page of descriptive notes for this piece of program music.)

Folder 8: Divertimento for 2 pianos in D major, Opus 108. Score and Piano II. /Divertimento for 2 pianos in F minor, Opus 99. Score and parts for both pianos. /Four pieces for 2 pianos, Opus 74. Score and parts for both pianos.

Folder 9: Symphony no. VI in B flat, Opus 129, 1949. Arranged for two pianos. Score and Piano II(N.B. Xerox copy of letter of dedication included.)

Folder 10: Symphony No. II in D minor, Opus 81, June--July, 1942. Arranged for two pianos. Score and Piano I./Symphony No. V in E minor, Opus 106, 1945. Arranged for two pianos. Score and Piano I.

Folder 11: Symphony in F sharp minor, 4 hand arrangement.

Box 6

Folder 1: The Ballad of St. Michael’s, December 1941. For male chorus, 2 trumpets, piano and percussion. Orchestral Score and parts for chorus (13 c.) and percussion. /Per Aspera ad Astra, March 1942. Festival or Graduation Overture for violin; E flat Saxophone (I); B flat Saxophone (II); Trumpets I, II, III; Trombones I, II; and, Percussion. Score and parts. /Homage to Father Lyons, Summer 1949. For trumpet and piano. Score and trumpet part. /Ave Maria. Men’s chorus with organ (and tenor solo) for St. Michael’s Glee Club, John D. Donoghue, director. (Score only) / St. Michael’s Song -- Alma Mater, August 1943. For 2 part male chorus with orchestra or piano. Piano--vocal Score

Folder 2: Piano solos dedicated to friends in Burlington. Also one to his son Richard (1949, “Harmony and Happiness by Two”) for Richard’s 27th birthday. (Instrumental arrangement of “Harmony and Happiness by Two” for 2 violins, trumpet and piano.)-- 1. Mr. and Mrs. Beal (4), 1951, 1952, 1953, 1953 (Christmas).2. Barbara Beal (4), 19? , 1947, 1948, 1952. 3. Olga Raab (3), 1942 (Opus 85), Christmas 1943 and 1947, 1948. (N.B. 1947 and 1948 have cover only.) 4. Dr. Joseph Lechnyr (1), Triumphal March (aus Opus 98). 5. Dr. Betty Bandel (1), 1949 Sonata./Songs dedicated to Burlington friends. Also to his daughter Hedi (1949)--1  John D. Donoghue--a. Ode to Solitud b. Villanelle  c. The Harp That Once  2  Mrs. John D. Donoghue-- a. In the Train 3  To daughter Hedi, 1949. a. “For my Hedi’s Birthday” poem by Charles Ballantyne (Hedi’s husband) b. “Voice of Lake Champlain”

Folder 3: Work for Chorus and Orchestra  Score.-- Introduction  Gesang der Nacht (So liegt alles...) Gesang des Mondscheins  Em Kleines Schafwölklein  Der Wachtwind  Gesang der alton Wettertannen  Eine Fluderman’s  Die Blumen

Folder 4: Overture to the opera “Rjukam” by Herman Nöfner (?), arranged for two pianos.

Folder 5: (fine Ms)“Der Seelchenbaum” for soprano and orchestra. (No opus number). Orchestral parts complete (no score) Soprano part.

Folder 6: Cantata for mixed chorus, soloists and orchestra. “Nocturno Sinfonica”, Opus 67, 1923. Piano--vocal score.

Folder 7: (fine Ms)Opera “Die Gürtelspanner” -- opera in 3 acts (1918), Opus 59. Piano--vocal Score and Libretto.

Folder 8: (fine Ms--Score bound)Octett für 2 violinen, Viola, 2 Violoncelli, Flote, Clarinette und Horn, 1903. Score and parts for First Violin, viola and violoncello II only.

Folder 9: Suite für Streichorchester, opus 8. Score printed. No parts.

Box 7

Item 1: Vermont Suite, opus 72. Full Score and orchestral parts.

Box 8

Folder 1: Symphonie in A minor, opus 18 Score and orchestral parts.

Box 9

Folder 1: Symphony No. II in D minor, Opus 81. June--July 1942. Printed title on spine. Bound score.

Folder 2: Symphony No. III in C major, Opus 93. Composed 1943. Copied 1944. Dedicated to Mrs. Alice Carter--Foy. Printed label on cover. Bound Score

Folder 3: Symphony No. IV, “An Artist’s Life”, Symphonic poem in four movements, Opus 101. 1944. Bound score.

Folder 4: Symphony No. V in E minor, Opus 106. 1944--45. Printed label on cover. Bound score.

Folder 5: Symphony No. VI, Symphonie in B flat major, opus 129. Spring 1949. Printed label on cover. Bound score.

Box 10

Folder 1: Symphony No. VII in C minor, Opus 136, 1951. Printed label on cover. Bound score.

Folder 2: Vom Leben, Symphonische Dichtung für Grosses Orchester, Opus 51, Leipzig. No printed label on cover. Bound score.

Folder 3: Piano Quintett, C Moll, Opus 43, Leipzig. Score and string parts.

Folder 4: Two Sonatas for Piano and Violin, Opus 73, 82, 1941--1942.  Printed label on cover. Bound Score and violin part

Folder 5: Piano Quartet, Opus 75, September, 1941. Bound Score and parts.

Folder 6: Der verlorene Sohn, Opus 46. Piano--vocal Score and libretto. Bound Score

Folder 7: Symphonische Phantasie für Orgel und grosses Orchester, Opus 29, Leipzig. Printed copy, soft cover bound.

Box 11

Folder 1: Ilse, Fantastische Oper, 1911, Akt I. (Orig. title: Rumpelstilzchen). Bound Score.

Folder 2: Ilse, Fantastische Oper, 1911, Akt II, III. (Orig.l title: Rumpelstilzchen). Bound score.

Folder 3: Ilse, Fantastische Oper, dialogue or libretto, unpublished. (Orig. title: Rumpelstilzchen). Typed copy. Pamphlet binder.

Folder 4: (printed)“Ilse”, Fantastische Oper in drei Akten, Wien--Leipzig, 1919. Bound Score-; Soft cover bound

Box 12

Item 1: Christmas Cantata, opus 84, Summer 1942. For mixed chorus, orchestra, soli and organ.

Box 13

Folder 1: 8 Lieder fur eine Singstimine mit Klavierbegleitung, no opus number, no. 1-8--1 Wohin mit der Freud. 2  Der Waidsee. 3  Wenn ich sterbe (Opus 15, no. 6) 4  Der Liebe Gedanken (Opus 3, no. 3) 5  Abendstänchen. 6  Gesellenlied. 7  Der Wunsch. 8. Goldammer.

Folder 2: Zwölf Lieder für eine Singstime, numbers 1--4 and 7--12 (numbers 5 and 6 (pages 13--16) missing), no opus number. --1  Flog ein bunter Falter(opus 3, no. 1.). 2  Nun blüht die Linde wieder. *3  Wohin mit der Freud. *4  Der Waldsee. *7  Wunsch. 8  Längerpflicht. 9  Wenn ich sterbe (opus 15, no. 6.). 10  Die Stadt. (opus 14, no. 5. ) 11  Auftrag. (opus 14, no. 4. )12  Abenständchen. 9  Wenn ich sterbe, opus 15, no. 6. 10  Die Stadt, opus 14, no. 5. 11  Auftrag, opus 14, no. 4.

Folder 3: (printed)  Sechs Duette für Sopran und Alt mit Klavierbegleitung, opus 24, nos. 1--6, Leipzig--1  An einer Kirchhofsmauer. 2  Die Alte. 3  Schneeflocke. 4  Ueber die Heide. 5  Trost. 6  Die Sorglichen.  /  (printed) Duette für Sopran und Tenor mit Klavier, opus 34, nos. 1-6, 1913, Leipzig. --1  Auf unsres Kindes Tod. 2  Am Flusse. 3  Mittag. 4  Die Vatergruft. 5  Blütenregen. 6  Johannisfeuer.

Folder 4: (printed) Acht Lieder für eine Singstimme mit Klavierbegleitung, nos. 1-8, Leipzig, no opus number. --1  0 bleibe treu den Toten. 2  Prometheus. 3  Malve. 4  Im Walde. 5  Wie es kam. 6  Am Meere. 7  Wohin mit der Freud? 8  Weisst du, wo?  /  (printed) Lieder für eine Singstimme mit Klavierbegleitung, Opus 3, nos. 1--4 (Für hohe Stimme). --1  Flog ein bunter Falter. 2  Die Schwalben. 3  Der Liebe Gedanken. 4  Gesellenlied.  / (printed) Lieder für eine Singstimme mit Klavierbegleitung, opus 11, nos. 1-5, Wien-Leipzig. (Für mittlere Stimme). --1. Winteranfang. 2. Reiter un Herbst. 3. Regen. 4. Hinab. 5. Frau Holle.  / (printed)  Lieder für eine Singstie mit Klavierbegleitung, opus 13, nos. 1-4, Wien-Leipzig. (Für tiefe Stimnie). --1. Sonntagsfreuden. 2. Morgen. 3. Wenn schlanke Lilien. 4. Requiem.  /  (printed) Lieder für eine Singstimme mit Klavierbegleitung, opus 14, nos. 1-7, Wien-Leipzig. (Für tiefe oder mittlere Stimme). --1. Auf den Höhen. 2. Der schwarm. 3. Winternacht. 4. Auftrag. 5. Die Stadt. 6. Die Werkeluhr. 7. Elfe.  / (printed) Lieder für eine Singstimme mit Klavierbegleitung, opus 15, nos. 1-7, Wien-Leipzig. (Für hohe oder mittlere Stimme). --1. Sonnenuntergang. 2. Grauer Vogel über der Heide. 3. Sommerlied. 4. Schon ein Lϊed, em Vogellied. 5. Traüme. 6. Wenn ich sterbe. 7. Märchen.  / 4G  (printed)  Lieder für eine Singstimme mit Klavierbegleitung, opus 19, no. 1-4, Wien-Leipzig. (Für eine mittlere oder hohe Stimme). --1. Schein und Wirklichkeit. 2. Lichtgestalten. 3. An die Vügel. 4. Winterlandschaft.  /  (printed)  Lieder für eine Singstimme mit Klavierbegleitung, opus 20, no. 1-5, Wien-Leipzig. (Für eine mittlere oder hohe Stimme) --1. Nähe des Geliebten. 2. Elf ensang. 3. Die Jahre. 4. Geständnis. 5. Ganymed.  /  (printed) Drei Lieder für eine tiefere Stimme mit Begleitung des Violoncello, Opus 21, nos. 1--3, Leipzig--Wien. --1. Gebet. 2. Ward der Abend regenmüd. 3. Dem aufgehenden Volimonde.  / (printed)  Fünf Lieder für eine Singstimme mit Klavierbegleitung, Opus 28, nos. 1-5, Wien-Leipzig. (Für hohe Stimme). --1. Trost. 2. Altdeutsches Lied. 3. Durch. 4. Wanderschwäne. 5. Die süsse Sieben. / (printed) “Morgenlied”, für mittlere Singstünme und Klavier, Leipzig. / (printed)  Lied der Waffenschmiede, Aus Opus 20, Leipzig.

Folder 5: (printed)Vier Gedichte von Natalie v. Oldenburg, opus 47, nos. 1-4, Leipzig.<p style="margin-left:.5in;"> 1. Ihr blauen Berge! 2. Scheidestunde. 3. Der Frühling naht. 4. Winternacht. /  (printed)Fünf Lieder, Opus 48, Nos. 2--5, 1917, Wien--Leipzig.--1. Eine schwarze Perle. (missing)2. Em äscherungslied. 3. Du warst es doch. 4. Gommorah. 5. Vale.  /  (printed) Fünf Lieder, Opus 54, Nos. 1, 3 and 4, Leipzig. --1. Trecento. 2. Dämmerstunde. (missing) 3. Sehnsucht und Stille. 4. Mutter. 5. Im Feld em Mädchen singt. (missing) /  (printed)Zehn Lieder, Opus 55, Nos. 1--4, 6--10, Leipzig. --1. Das Mädchen singt in den Abend. 2. Gigerlette. 3. über mir zieht eine Wolke hin. 4. Die Nacht. 5. Februarschnee. 6. Frühling. 7. Kampflied. 8. Schneeflocken. 9. Wir. 10. Weit, weit. / (printed)Lieder. Drei Cedichte von Hans Dietroff, Opus 56, Nos. 1--3. Leipzig. --1. Eislauf. 2. Liebchens Geburtstag. 3. Lichter.  /  (printed)12 Lieder, Opus 60, Nos. 1-7 and 9-12, Wien-Prag-Leipzig.--1. Der Steinklopfer. 2. An die Schönheit. 3. Waldfrieden. 4. Himmlische Boten. 5. Herbstabend im Kioster. 6. Schlittenfahrt mit Liebchen. 7. Einen Turm will ich mir bauen. 8. An mein Klavier. 9. Beglückende Nähe. 10. Erde, dein Wanderer. 11. An die Nacht 12. Wohin.  / 5G  (printed)Vier Lieder, Opus 65, Nos. 1-4, Leipzig. Für eine Singstimme, Violine und Klavier. --1. Die Stadt am See. 2. Pierronette. 3. Morgenlauf. 4. Am Sonnenberg.

Folder 6: Twelve Songs, opus 91, Nos. 1-12. February, 1943. --1. The Brook Song (Riley). 2. The Frosted Pane (Charles Roberts). 3. Time of Roses (Thomas Hood). 4. The Fountain (Russell Lowell). 5. The Boy Patriot (Riley). 6. Curfew (Longfellow). 7. In the Train (James Thomson). 8. Trees (Joyce Kilmer). 9. The Old (Hon. Roden Noel). 10. March (Nora Hopper). 11. Autumn Song (F. Tabb). 12. Girlhood (John Godfrey Saxe).

Folder 7: Ten Songs, Opus 96, Nos. 1-10, October, 1943. --1. Good Bye (Am Foo Lin, Chinese student). 2. The Rainy Day (Longfellow). 3. Distance, the Enchantress (Anonymous). 4. Lullaby (Ellen Gates). 5. Unsatisfied (Anonymous). 6. Gradatim (Josiah G. Holland). 7. The Silent Town (Dehmal). 8. Blacksmith Pain (Bierbaum). 9. The Message (Heine). 10. Winter Trees (Longfellow).

Folder 8: Ten Songs, Opus 104a, Nos. 1-10, Summer, 1944. --1. Out in the Fields with God (Louise Guiney). 2. The Windmill (Longfellow). 3. Snowflakes (Longfellow). 4. Why so Pale and Wan? (Sir John Suckling). 5. Leisure (W. H. Davis). 6. Daffodils (Wordsworth). 7. Ode to Solitude (Alexander Pope). 8. The Tide Rises, the Tide Falls (Longfellow). 9. The Harp that once through Tara’s Halls (Thomas Moore). 10. Nature (Longfellow).

Folder 9: The Songs of the Mother -- six poems, by Jamie Smith Ryne, Opus lO4b. --1. Rainy Day Lullaby. 2. Gallant Ships. 3. Prayer on the Hilltop. 4. Never a Word. 5. That’s My Spring. 6. Too Slow.

Folder 10: Twelve Songs, Opus 110, Nos. 1--12. --1. Mutability (Shelley). 2. To a Butterfly (Wordsworth). 3. Epitaph (Ben Jonson). 4. To Meadows (Robert Herrick). 5. The Palm and the Pine (Lanier). 6. Indian Summer (Emily Dickinson). 7. Villanelle (William Henley). for Soprano or Tenor solo and male chorus8. The Black Vulture (George Sterling). 9. Love’s Secret (William Blake). 10. Sunken Gold (Eugene Hamilton). 11. A Woman’s Thought (Richard Gilder). 12. On Death (Walter Savage Landon).

Folder 11: Zeitgenössische österreichische Lyrik-dreizehn Gedichte, opus 119, Nos. 1-13 (1947-48). --1. Hochzeitreise (Gedicht von Dr. Richard Raab). To Olga Raab, as a Christmas gift and remembrance of your own Wedding Trip. 2 c.. 2. Belvedere in Wien (Elly Adolf). 3. Abschied (Eugen Andergassen). 2 c.. 4. Wiedersehen im Herbst (Wilhelm Raab). 5. Der Wellenbrecher (Wilhelm Raab). 6. Zwischen Gestern und Morgen (Wilhelm Raab). 7. Kobold Rauhreif (Richard Fritz). 8. Vergissmeinnicht (Edmond Schwab) Wien. 9. Wir bannen österreich (Wilhelm Adametz). 10. Morgen in den Bergen (Nelly Lia Bayer). 11. New York (Margaret Kollisch). 12. Lebensweg (Margaret Kollisch).

Folder 12: “Abend”, (Edmund Schwab), no opus number or date. I. Song with piano accompaniment.

Folder 13: “My Christmas Tree”, (James Francis Cooke), no opus number, 1952. Song with piano accompaniment.

Folder 14: Burden Bearer”, (John Oxenhain), no opus number or date. Song with piano accompaniment. Dedicated to Dorothy Hawley in gratitude for organizing performances of Dr. Stoehr’s work in her home town of Calgary, Alberta, Canada.

Box 14

Folder 1: (printed) Lieder, Opus 3, Nos. 2-4 (für hohe Stinnne). --1. Flog em bunter Falter 2. Die Schwalben 3. Der Liebe Gedanken 4. Gesellenlied / (printed)Lieder, Opus 11, Nos. 2 and 4 (für mittlere Stimme). --1. Winteranfang 2. Reiter im Herbst 3. Regen 4. Hinab 5. Frau Holle  (N.B. Nos. 1, 3 and 5 missing). /  (printed) Lieder, Opus 13, Nos. 2-4 (für tiefe Stimme)--1. Sonntagsfreuden 2. Morgen 3. Wenn schlanke Lilien 4. Requiem (N.B. No. 1 missing. ) / printed) Lieder, Opus 14, Nos. 1-7 (für tiefe oder mittlere Stitnme). --1. Auf den Höhen 2. Der Schwarm 5 c. 3. Winternacht 5 c. 4. Auftrag 5 c. 5. Die Stadt 6. Die Werkeluhr 7. Elfe / 1 E.(printed) Lieder, Opus 15, Nos. 3, 4 and 7 (für hohe oder mittlere Stinune). --1. Sonnenuntergang 2. Grauer Vogel über der Heide 3. Sommerlied 4. Schon ein Lied, ein Vogellied 5. Träume 6. Wenn ich sterbe 7. Märchen  (N.B. Nos. 1, 2, 5 and 6 missing. ) /  (printed)Fünf Lieder, nach Gedichten von Goethe, Opus 19, Nos. 1 and 3.1. Nahe des Geliebten 2. Elfensang 3. Die Jahre 4. Geständnis 5. Ganymed ( Nos. 2 and 5 missing. ) / (printed)Drei Lieder für eine tiefere Stimme mit Begleitung des Violoncello, Opus 21, No. 3, Leipzig-Wien. --1. Gebet 2. Ward der Abend Regenmüd 3. Dem aufgehenden Vollmonde (Nos. 1 and 2 missing.) / (printed)Sechs Duette für Sopran und Alt mit Klavierbegleitung, Opus 24, Nos. 2, 3 and 6, Leipzig. --1. An einer Kirchhofsmauer 2. Die Alte 3. Schneeflocke 4. Über die Heide 5. Trost<p style="margin-left:.5in;"> 6. Die Sorglichen / 1I. (printed)Fünf Lieder, Opus 28, Wien-Leipzig, 1914 -- 1. Trost 2. Altdeutsches Lied 3. Durch 4. Wanderschwäne 5. Die süsse Sieben  / 1J  (printed)Lied der Waffenschmiede, Opus 30, Leipzig. /(printed)Duette für Sopran und Tenor, mit Klavier, Opus 34. 1. Auf unsres Kindes Tod 2. Am Flusse 3. Mittag 4. Die Vätergruft 5. Blütenregen 6. Johannisfeuer  /  (printed)Vier Gedichte von Natalie von Oldenburg, Opus 47, Leipzig. --<p style="margin-left:.5in;"> 1. Ihr blauen Berge 2. Scheidestunde 3. Der Frühling naht 4. Winternacht /  (printed)Fünf Lieder für eine Singstimme mit Klavierbegleitung, Opus 48, Wien-Leipzig, 1917 copyright. --1. Eine schwarze Perle 2. Em äscherungslied 3. Du warst es doch 4. Gomorrah 5. Vale

Folder 2: Acht Lieder (no opus number), Nos. 1, 3--7, Leipzig. --1. 0 bleibe treu den Toten (tief), 2 c.. 2. Prometheus 3. Malve (tief) 4. Im Walde (tief) 5. Wie es Kam (tief) 6. Am Meere (tief) 5 c. 7. Wohin mit der Freud? (mittel) 8. Weisst du, wo? ( Nos. 2 and 8 missing. ) /  (printed) Fünf Lieder, Opus 54, Nos. 1-5, Leipzig. 1. Trecento 2. Dämmerstunde 3. Sehnsucht und Stilie 4. Mutter  5. Im Feld ein Mädchen singt  /  (printed)Zehn Lieder, Opus 55, Nos. 1, 3--6, 8--9, Leipzig.--1. Das Mädchen singt in den Abend  2. Gigerlette 3. Über mir zieht eine Wolke hin 4. Die Nacht 5. Februarschnee 6. Frühling 7. Kambflied 8. Schneeflocken9. Wir 10. Weit, weit (Nos. 2, 7 and 10 missing.) /  (printed)Drei Gedichte von Hans Dietroff, Opus 56, No. 3, Leipzig. --1. Eislauf 2. Liebchens Geburtstag 3. Lichter (Nos. 1 and 2 missing.) / (printed)12 Lieder, Opus 60, Nos. 1--12, Wien--Prag--Leipzig.--1. Der Steinklopfer 2. An die Schdnheit 3. Waldfrieden 4. Himmlische Boten 5. Herbstabend im Kloster  6. Schlittenfahrt mit Liebchen 7. Einen Turm will ich mir bauen 8. An mein Klavier 9. Beglückende Ndhe 10. Erde, dein Wanderer ruht! 11. An die Nacht  12. Wohin  / (printed)Vier Lieder für eine Singstimme, Violine und Klavier, Opus 65, Nos. 1--4, Leipzig. --1. Die Stadt am See 2. Pierronette 3. Norgenlauf 4. Am Sonnenberg

Box 15

Folder 1: (printed) Zwei Männerch&e mit Orchester oder Klavier, opus 10, no. 1--2, Leipzig. --1. Der Strom 2. Die Kapelle /  (printed)Zwei Männerchöre mit Klavierbegleitung oder Kleinem Orchester, opus 30, no. 1-2, Leipzig. --1. Morgenlied 2. Lied der Waffenschmiede  /  (printed)Drei Gemischte Chore mit Orchesterbegleitung, opus 36, no. 1--3, Leipzig. --1. Im Kiosterhof 2. Sonnenaufgang 3. Waldesweben

Folder 2: (printed) Drei Männerchöre, opus 25, no. 1--3, Leipzig. --1. Transommernacht (mit tenor solo) (a capella).. 2. Das Wunder Kommt (a cappella). Score. 3. Trinklied (a cappella). / (printed)Fünf Männerchöre, opus 25, no. 4--5, Leipzig. --4. Zum neuen Jahre (a cappella). Score. 5. Ritter rat dem Knappen dies (a cappella). /(printed)Sechs Männerchöre, opus 25, No. 6, Leipzig. --6. Sonntag auf dem Meere (a cappella). / (printed)Morgenlied für dreistimmigen Männerchor mit Klavierbegleitung, opus 30, no. 1, Leipzig. / (printed)Lied der Waffenschmiede für vierstimmigen Männerchor mit Klavierbegleitung, aus opus 20, Leipzig. / (printed)Der Landsknecht’ Abendritt, für Männerchor mit Orgel (oder harmonium) und kleiner Trommel, opus 38, Leipzig. / (printed)Klostergrab für Männerchor und Orgelbegleitung, opus 44, Leipzig. / (printed)Vier Gesänge für dreistimmigen Frauenchor mit Klavierbegleitung, opus 5, no. 1--4, Leipzig.--1. Sehnsucht. 2. Im Carten des Serails 3. Stänchen. 4. Jachhe. / (printed)Die Gestorbene Rose, für 3 Frauenstimmen und Klavier. Nr. 324--326, Hausmusik des Kunstwarts.

Folder 3: (printed)Zwei Männerchöre mit Orchester oder Klavier, opus 10, no. 1--2, Leipzig. --1. Der Strom 2. Die Kapelle Piano--vocal score.  / (printed)Erntefestlied für Männerchor und Orchester, opus 42, Leipzig. / (printed)Waldnacht, für Gemischten Chor mit Orchester oder Klavier, opus 12, no. 1, Leipzig. /  (printed)Drei Gemischte Chöre mit Orchesterbegleitung, opus 36, nos. 1--3, Leipzig.--1. Im Klosterhof. 2. Sonnenauf gang. 3. Waldesweben. / (printed)Weihnachtsmärchen (Der Seelchenbaum), für gemischten Chor und Orchester. Leipzig, 1913.  / (printed)Johannisfeier, für Männerchor und Sopransolo mit Orchester und Orgel, opus 45, Leipzig, 1914. / (printed)Sechs vierstimmige Frauenchöre mit Klavierbegleitung, opus 39, no. 1-6, Leipzig.  Dedicated to the Wiener Frauenquartett.--1. Armseelchen. 2. Hütet euch. 3. Mondnacht. 4. Die Mittagsfrau 5. Das Kind. 6. Wandere.

Folder 4: (printed)Two choruses for men’s voices, opus 10, piano or orchestral accompaniment. --1, Der Strom, 2, Die Kapelle

Folder 5: Six choruses for male chorus (3 and 4 part), with piano, opus 109. --la. Epitaph. (Ben Jonson). lb. My Wish. (Rev. Robert Devoy). 2. Requiem. (R. L. Stevenson). 3. One Little Cloud. (Anonymous). 4. Hark, the Vesper Hymn. (Thomas L. Peacock). 5. Haroun al Raschid. (Longfellow). 6. Song of the Fairies Robbing Orchard. (James H. L. Hunt).  / (Ms) Ave Maria, for male chorus, Tenor Solo and Organ. N.B. Dedicated to John D. Donoghue and the St. Michael’s College Glee Club.  / (printed) Allerseelen, opus 66, Leipzig. Für Männerchor mit Klavier und kleine Trommel oder mit kleinem Orchester.  / printed)Klostergrab, opus 44, Leipzig. Für Männerchor und Orgelbegleitung  / (printed)Der Landsknecht’ Abendritt, opus 38, Leipzig. Für Männerchor mit Orgel (oder Harmonium) und Kleiner Trommel . / (printed) Zwei Männerchor mit Klavierbegleitung oder Kleinem Orchester, opus 30, Leipzig .--1. Morgenlied. 2. Lied der Waffenschmiede. N.B. Opus 30 is dedicated to the German students of Prague. No. 1 includes a translation into English by Dr. Wilhelm Raab, and a typed sheet of instructions.

Folder 6: (printed)Zwei drei=bezw. vierstimmige Frauenchöre mit Orchesterbegleitung, opus 57, 1--2  Leipzig. --No. 2. Sylvester (New Year’s Eve). N.B. English translation by Dr. Wilhelm Raab. Included is a memo on this translation. /  (Ms) Five Choruses (3 and 4 part) for Female Voices, opus 78, March 1942. --1. Daybreak. 2. Cradle Song. 3. Echoes. 4. Spring. 5. Let’s Introduce Ourselves.  / (Ms)Die Lichtbringern, no opus number, July 21, 1948. Für vierstimmigen Frauenchor mit Klavierbegleitung.  / (printed) Sechs vierstimmige Frauench6re mit Klavierbegleitung, opus 39, 1--6, Leipzig. No. 1. Armseelchen / (Ms)Winter -- für 4 Frauenstimnien und Klavier, Summer 1949. / (Ms) Der öde Garten, summer 1908. Für 4 stimmigen Frauenchor, a capella.  / (printed)Schneeflocken, no opus number, Hausmusik München. Für 3 Frauenstimmen (Chor) und Klavier.

Folder 7: (printed)Vier Gesänge, opus 5, nos. 1-4 (1906), Leipzig. Für dreistimmigen Frauenchor mit Klavierbegleitung. -- 1. Sehnsucht, 2. (mss) Im Garten des Serails, 3. Ständchen, 4. Juchhe!

Folder 8: (printed)Waldnacht opus 12, no. 1 , Leipzig. Für gemischten Chor mit Orchester oder Klavier. / (Ms) Four choruses for mixed voices with orchestra or piano, opus 83, July 1942 .--1. Crossing the Bar (Tennyson). 2. The Great Adventurer (Herder). 3. Song of the Bell (Longfellow). 4. The Boy and the Brook (Longfellow).  / (Ms)Nachtlied, Feb. 3, 1903. Für gemischten Chor, a capella. / (Ms)Psalm 62, Jan. 26, 1903. Für gemischten Chor, a capella. /  (Ms)Psalm 24, Feb. 13, 1903. Fur gemischten Chor, a capella. / (Ms)Psalm 67, Feb. 31, 1903. Für gemischten Chor, a capella.

Box 16

Item 1: Five Choruses for Women’s Voices, 4 part, opus 78.  Choral parts only--1. “Daybreak”, text by Longfellow.2. “Cradle Song”, text by William Blake.4. “Spring”, text by Nash.5. “Let’s Introduce Ourselves”, text by Dr. Richard Stoehr.

Box 17

Folder 1: 1  (mimeograph) New Year’s Eve, Opus 57, no. 2, S.S.A.A. Choral parts only, in quantity. Score is in Carton No. 15, Item No. 6. Translated into English by Wilhelm Raab.  Given to St. Michael’s College Archives by U.V.M.)

Folder 2: (mimeograph)Crossing the Bar, no opus number.  Text by Tennyson. For mixed voices. Choral parts only. (Given to St. Michael’s College Archives by U.V.M.)

Item 1: Über die grundlagen musikalischer Wirkungen. Leipzig, 1924. (soft cover) <p style="margin-left:.5in;"> N.B. All 3 c. have been mutilated----musical examples clipped out, occasionally a whole page missing. There are numerous notations, some in early shorthand. This may have been done in the process of revising the work.

Item 2: Über die grundlagen musikalischer Wirkungen. Leipzig, 1924. (soft cover) <p style="margin-left:.5in;"> N.B. All 3 c. have been mutilated----musical examples clipped out, occasionally a whole page missing. There are numerous notations, some in early shorthand. This may have been done in the process of revising the work.

Item 3: Über die grundlagen musikalischer Wirkungen. Leipzig, 1924. (soft cover) <p style="margin-left:.5in;"> N.B. All 3 c. have been mutilated----musical examples clipped out, occasionally a whole page missing. There are numerous notations, some in early shorthand. This may have been done in the process of revising the work.

Item 4: Praktischer Leitfaden des Kontrapunkts. This work copyrighted in 1911. The present example is the revised fourth edition. Hard cover bound.

Item 5: Praktische Modulationslehre. Leipzig, 1915. 67 pages. Soft cover bound. Bound with the above is an Appendix (20 pgs), Leipzig, 1923. /  Praktische Modulationslehre. Leipzig, 1928. 85 pages. A revised and enlarged edition . Soft cover bound.

Item 6: Musikalische Formenlehre. First edition, 1911; third edition, 1917; fourth edition, 1921. 476 pages, Leipzig. 2 c. of this work identical except:  c. 1, 4--6 tausend; c. 2, tausend  Hard cover bound.  Item 6 and 7 are somewhat similar though Item 6 mentions neither Gl nor Orel. Some of the musical examples are the same, others not, as the index shows. Item 6 is much fuller (476 pages) than Item 7 (319 pages).

Item 7: Formenlehre der Musik. Leipzig, 1933. 319 pages. 8--10 tausend. copy 1: marked copyright 1933. Has Dr. Stoehr’s name written on outside cover.  The frontispiece describes Dr. Stoehr as Professor at the Academy in Vienna.  copy 2:  Cover: Richard Stoehr  Item 6 and 7 are somewhat similar though Item 6 mentions neither Gl nor Orel. Some of the musical examples are the same, others not, as the index shows. Item 6 is much fuller (476 pages) than Item 7 (319 pages).

Item 8: FORMENLEHRE der MUSIK The frontispiece describes Dr. Stoehr as Professor für Composition z. Zt Philadelphia, Pa. U.S.A. Reference is made to Dr. Alfred Orel on next page. No date.

Box 18

Item 1: 1  Praktischer Leitfaden der Harrnonielehre, II. Vermehrte und Verbesserte Auflage, Wien, 1909. Second “Expanded and Corrected” edition. Hard cover bound. N.B. Bound with the above is: (1) Praktische Modulationslehre, Leipzig, 1915; (2) Anhang zu der Praktische Modulationslehre, Leipzig, 1917 (appendix to (1).

Item 2: Praktischer Leitfaden der Harmonielehre, XIX. Verbesserte Auflage. Wein, 1909. Corrected edition. Hard cover

Item 3: Praktischer Leitfaden der Harmonielehre, XX. Auflage, Wien, 1909. Soft cover bound. Copyright renewed by Dr. Stoehr in 1937.  N.B. Regarding Items 1, 2 and 3: This textbook seems to have been first published in 1908. The 3rd edition was published in 1911. The 6th edition was published in 1925 and takes into account harmonic developments since the foregoing editions----developments made by Schenker and Schönberg. Eleven editions were published.

Item 4: Fragen und Aufgaben aus der Harmonielehre, Wien--Leipzig, 1931. 2 c.. Soft cover bound.

Item 5: Textbook on musical form, “Formenlehre”, translated into Japanese by Mr. Sakke. This book is hard bound and boxed.

Item 6: “The Music”. Issues of Japanese publication, Jan. 1949, no. 1 and Feb. 1949, no. 2. In the Jan. 1949, no. 1 issue, page 18, an article on Dr. Stoehr and his picture. In the Feb. 1949, no. 2 issue, page 104, an article on Dr. Stoehr and a picture of him with Mr. Sakke.

Item 7: Origins of Modern Music; Collection of Examples. German textbook, reprinted by the College Offset Press in Philadelphia for use in classes at the Curtis Institute of Music in Philadelphia. 11 c.. Original textbook is located in Carton No. 20.

Box 19

Item 1: Origins of Modern Music; Collection of Examples. No imprint date. 8 c..<p style="margin-left:.5in;"> N.B. This is the same as  item 7 in Carton No. 18.

Item 2: Phonograph records, 6 in number. Old, metal style. Most are flute duets, perhaps written for Mrs. McNamara. Labels on some are blurred.

Box 20

Folder 1: Die Kennzeichen der Klassischen Musik und ihre Wandlung zur modernen. 286 pages, complete. no date. Text in German with musical examples (from the printed book of examples) pasted in. There are many corrections, in pencil, some in early shorthand. Many loose sheets of notes. The examples correspond, in general, with those in the printed Literatur-- Beispiele (1931) for Die Kennzeichen der Kiassisehen Musik und ihre Wandlung im XIX Jahrhundert.  N.B. Re: discrepancies in paging: a) Page 126 occurs twice, the second crossed out and re-marked page 128. Page 127 not so marked. However, no material seems to be omitted. b) Two pages are marked Page 102, but this error noted by the compiler (Seitenzahl) so no material omitted.

Folder 2: Die Kennzeichen der Klassischen Musik und ihre Wandlung seit im 19 Jahrhundert. 1929. 105 pages. Soft cover bound.  N.B. Original typed title= “Die Kennzeichen der Klassischen Musik und ihre Verfall”. Changes written in: “Verfall” changed to “Wandlung” and addition of “Seit im 19 Jahrhundert”. Many notes in early shorthand in text.

Folder 3: Characteristics of Classical Music and its Change Since the 19th Century. Written in English, as translation of Items No. 1 and 2.With this text goes the bound volume of examples (with corrections and additions, some in pencil) titled “Die Kennzeichen der Klassischen Musik und ihre Wandlung in 19 Jahrhundert.Literatur-- Beispiele. N.B. Re. paging: Incomplete copy having only pages 1 to 37 (p. 29 missing), plus two pages labelled page 77. Paging in this edition differs from the other edition, from p. 25 onward.

Folder 4: The Characteristics of Classical Music and Their Gradual Change to the Modern. English text, complete. 141 pages. N.B. The typed original title = “The Characteristics of Classical Music and its Change Since the 19th Century”. The changes from this original title were pencilled in, typed words crossed out. Typed, loose pages, unbound.  /  “The Origins of Modern Music”, English text, complete. 141 pages. N.B. Below this title in brackets is “The Characteristics of Classical Music and its Gradual Transformation to the Modern.” N.B. Items 4A and 4B are identical as to text. Item 4B has an index. These are the English translation of the German text listed as Items No. 1, 2 and 3 in Carton No. 20. In the introduction to the English translation, Dr. Stoehr pays tribute to the three persons who did the translating:  1) Dr. Keisei Sakka of Tokyo who translated the German text into Japanese. 2) Mr. Walter Schoeder 3) Mr. Karl Buchmann, who did the English translation. The original typed listing names Margaret Kollisch as No. 3. This later crossed out and Karl Buchmann substituted. N.B. Perhaps of interest in this connection: Mrs. Kollisch is a poet, long--time friend of Dr. Stoehr in Vienna, now living in New York. She came to Burlington for the Stoehr Memorial Concert, 1974.

Folder 5: Die Kennzeichen der Klassischen Musik und ibre Wandlung im XIX Jahrhundert. Literatur-- Beispiele, 1931. Bound, hard cover. These are musical examples to accompany the textbook listed as Items 1, 2 and 3 in Carton No. 20. This book of musical examples was reprinted for classes at the Curtis Institute. This reprinted edition exists in quantity and is located in Cartons no. 18 and 19.

Folder 6: Die Bausteine der Klassischen Musik. 4 pages only.Musical examples (4 pages only) for a lecture or a textbook.

Folder 7: Miscellaneous lecture material (handwritten in English) Subjects: music, Vienna, memories of Wagner, et al. /Set of glass slides to illustrate lectures (probably the series given at the Fleming Museum in Burlington, Vermont)

Folder 8: Musical examples (32 mimeographed c.) to illustrate “Music, an International Language”, given at Howard University. These 32 c. are of the revised version. One copy of original version included for comparison.

Box 21

Folder 1: Text of songs. / Pictorial and musical examples used in teaching. /Program of New York Philharmonic, Carnegie Hall, April 13, 1958, Leonard Bernstein, Conductor.

Folder 2: Notes in early shorthand (obsolete?) for lectures or letters.

Folder 3: Notes in English, for lectures or letters to friends and pupils. /Dr. Stoehr’s lecture (in English) “Humanity in the Prison Camp”. /Shorthand for lectures.

Folder 4: Manuscript-separate pages that seem to belong to already inventoried works.

Box 22

Item 1: TAPES  A. Interviews with Stoehr friends (3 3/4 speed).  Reel to reel.B. Interviews. Compare with 1.C. Interviews or reminiscences. D. Tape of the Memorial Concert. October 6, 1974. E. Chiefly violin and piano, played by Dr. Stoehr and Dr. Raab. Made from Karl Raab’s tape. F. Dr. Stoehr’s works, presented by Dr. Lepeshkin. G. Dr. Stoehr’s works, presented by Dr. Lepeshkin. H. Stoehr Anniversary concert, June 11, 1956. (Given by John D. Donoghue.) I. Stoehr Songs sung by Ruth Flynn. J. Stoehr Songs sung by Ruth Flynn. K. Small reel, belongs to Mrs. Stoehr. L. Side 1: Dr. Stoehr’s first efforts in composing at age 6. Four short pieces for piano, played by Dorothy B. Hunt, and used for the Memorial Concert, October 6, 1974. Side 2: Trinity College Alumnae choir rehearsing Dr. Stoehr’s Cradle Song for that concert. M. Viennese melodies arranged for violin and piano by Dr. Stoehr. Violin, Dr. Raab; Piano, Dr. Stoehr. Each melody is announced by Dr. Stoehr. Total time c. lO minutes. The last melody is whistled. N. Birthday party, June 16, 1974 given by Dorothy B. Hunt.

Box 23

Folder 1: Many photographs of students in Vienna, U.S.A., elsewhere. Most are of individuals, some are class pictures with Dr. Stoehr in the midst. Some informal. Also, some family pictures.

Folder 2: Album-Norway students, summer 1920

Folder 3: Set of diaries or memo books, 1928 to 1938, on English idioms.

Folder 4: Memorial album for Dr. Stoehr’s 60th birthday, containing pictures and many signatures.

Folder 5: One tiny dictionary-German--Swedish.

Folder 6: Small leather account book.

Folder 7: Dr.Raab’s article on Stoehr’s Vermont years, German, translated into English by Mrs. Bennett.

Folder 8: Biographical sketch and list of works, in German, Leipzig, 1911. Printed, bound (soft cover).

Folder 9: Biographical sketch and list of works, in English.

Folder 10: Programs featuring Stoehr compositions.

Folder 11: Diploma issued July 1892 denoting satisfactory completion of studies in the Gymnasium in Vienna (equivalent to our high school diploma).

Folder 12: Material related to the 100th anniversary of Stoehr’s birth: clippings, Mass at St. Michael’s, party given by Dorothy B. Hunt, memorial concert organized by Dorothy B. Hunt.

Folder 13: Large composite of pictures and places important in Dr. Stoehr’s life and work, made by Dr. Raab and given to the Stoehr collection by Karl Raab.

Folder 14: Articles in German related to Dr. Stoehr and his works.

Folder 15: Articles from Burlington newspapers on Dr. Stoehr’s activities in Vermont.

Folder 16: Dr. Stoehr’s notes on Richard Wagner (in shorthand). During his teaching years at the Curtis Institute of Music, Dr. Stoehr was engaged in translating Wagner’s letters.

Folder 17: Humorous essay, illustrated with sketches, on one of the professors at the Gymnasium (High School) made by Richard Stoehr at about the age of fourteen.

Box 24

Item 1: Dr. Stoehr celebrations for 100th anniversary of his birth. Actual birth, June 1874 Autumn (October 6) concert of his works. In notebook binder.

Item 2: Cassette tapes relating to the Stoehr family. Reminiscences of Dr. Stoehr by friends. Also one tape of Mrs Stoehr (unaware of being recorded) as she looked over papers and photographs found in his collection.

Item 3: Important material for October 6.-- 1. Contents of tape of Stoehr works taken from Karl Raab’s tape. 2. Poems by Karl Raab’s father and grandfather.

Item 4: Pages from his student days in the Gymnasium (High School), the earliest handwriting in the records, about the age of fourteen. A humorous essay on one of the professors, with sketches.

Item 5: Dr. Stoehr’s notes on Richard Wagner (in shorthand).  During his teaching years at Curtis, Dr. Stoehr was translating Wagner’s letters. This is referred to in Bill Hargrave’s tape of reminiscences.

Item 6: Letters of thanks and appreciation regarding October 6, 1974 Stoehr memorial concert.

Item 7: Newspaper clippings regarding Dr. Stoehr and Franz Lehar. Handwritten notes, poem, and a biographical statement

Item 8: Personal papers belonging to Miss Dorothy Hunt

Item 9: Pictures of June 16, 1974 birthday party. Also two New Year’s cards from Leonard Bernstein.

Item 10: Materials relative to celebration of the 100th anniversary of Richard Stoehr’s birth-- 1. Mass and reception at St. Michael’s College. 2. Birthday party given by Dorothy B. Hunt honoring Mrs. Stoehr and her children and grandchildren. 3. Memorial concert, October 6, 1974, organized by Dorothy B. Hunt.

Item 11: Program the the Vermont State Symphony Orchestra Concert in honor of Dr. Richard Stoehr, October 31, 1954.

Item 12: Small notebook with handwritten verses.

Item 13: Valuable letters belonging to Dorothy B. Hunt, regarding Dr. Stoehr. 1954 program SMC’s 50th year (Dr. Stoehr’s 80th).

Item 14: Announcement of event of the Memorial concert, 100th anniversary of the birth of Richard Stoehr (Burlington Free Press clippings).

Item 15: Program for the Memorial Concert in honor of Richard Stoehr, October 6, 1974, Trinity College.

Item 16: Biographical materials.

Item 17: Dr. Stoehr Manuscript.

Item 18: Two posters, one relating to concert of October 6 and the other giving Dr. Stoehr’s name and birth date.

Item 19: Two Guest Books -- visitors to the Stoehr abodes in Vienna and Burlington.

Box 25

Folder 1: Box of cassette tapes----interviews made by Dorothy B. Hunt with various friends or associates or pupils of Dr. Stoehr.

Folder 2: Programs  of the October 6, 1974 Memorial Concert

Folder 3: Newspaper clippings from Burlington Free Press regarding the October 6, 1974 Concert

Folder 4: Letters of appreciation concerning the October 6, 1974 Concert.

Folder 5: Poster made by Dorothy B. Hunt for the October 6, 1974 Concert.

Folder 6: Dorothy B. Hunts notebook containing plans for the October 6, 1974 Memorial Concert and also for the birthday party, June 16, 1974.

Folder 7: Pictures taken June 16, 1974. Mrs. Stoehr, her family, Dorothy B. Hunt, guests, and the cake!

Folder 8: Colored sketch of the birthday cake,