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Richard Stöhr Collection

Overview

Scope and Contents

Administrative Information

Detailed Description

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Richard Stöhr Collection, 1890-1974 | Saint Michael's College Archives & Special Collections

By Elizabeth B. Scott

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Collection Overview

Title: Richard Stöhr Collection, 1890-1974

Predominant Dates:1940-1960

ID: MSS 4/MSS 4

Primary Creator: Richard Stöhr (1874-1967)

Extent: 15.0 Linear Feet

Arrangement: Arranged into four series: I. Instrumental Works. 2. Vocal works. 3. Textbooks and Lectures. 4. Biographical Material.

Date Acquired: 01/01/1974

Subjects: concertos, Orchestral music, Richard Stöhr, 1874-1967 -- Correspondence, Stöhr, Richard, 1874-1967, Symphonies

Forms of Material: Compositions (artistic arrangement), Correspondence, Scrapbooks, Writings

Languages: English, German

Scope and Contents of the Materials

The collection consists of Stöhr’s body of work and biographical materials. The bulk of the collection dates from the mid 20th century. In addition to compositions, diaries, appointment books, guest books and a number of photographs are among the items included. Compositions are in either Manuscript or printed form(in some cases both), and some have been published.  There are numerous copies of some of the works, and many include complete scores and parts. Not all of the parts are present for all compositions--available parts are noted on the inventory. For some of the published works more than one edition is available. The guest books and photographs are quite interesting, as Stoehr’s students are often pictured or noted, and many of them were fairly well known at the time.

Collection Historical Note

Richard Stöhr was born in Vienna June 11, 1874. He was educated in Vienna and received a degree in Medicine from the University of Vienna in 1898. Rather than practice medicine, he devoted himself to music and became a professor of music at  the Vienna Academy of Music. In the wake of the Nazi takeover of Austria, Stöhr came to the United States. In 1939 he settled in Philadelphia, taking a position at the Curtis Institute of Music. He moved to Vermont in 1941, joining his former student Karl Schwenger, who had recently begun working at Saint Michael’s College. The College sought to hire Stöhr with financial assistance from both the Oberlander Trust and the Emergency Committee in Aid of Displaced Foreign Scholars, a committee of the Institute of International Education. The Oberlander Trust was not able to supply funding, but Dr. Stöhr did come to Saint Michael’s as the Director of Musical Activities and as an instructor in German. His academic responsibilities were quite light, and Stöhr was able to devote a significant amount of time to performing and composing. He also taught occasionally at the Vermont Conservatory of Music. He continued working at the college, teaching German and music until 1950, when he retired from teaching. Until 1960, he maintained an office at Saint Michael’s, where he spent time composing. Although it is unclear if the College formally granted him emeritus status, he was referred to as both Emeritus Professor and Composer in Residence until his death on Dec. 11, 1967.

In 1974, the 100th anniversary of his birth, Saint Michael’s College held a Memorial Mass and a memorial concert was held at Trinity College in Burlington.  Among his students were Erich Leinsdorf, Walter Hendl, Artur Rodzinski, and Leonard Bernstein, who in 1964 saluted Stöhr during a New York Philharmonic Tribute to Teachers program. In 1964, Vienna Music Academy President Dr. Hans Sittner published a biography of Stöhr entitled Richard Stöhr; Mensch, Musiker, Lehrer.  Interest in his work waned following this period, but saw a slight resurgence in the early part of the 21st century.

Subject/Index Terms

concertos
Orchestral music
Richard Stöhr, 1874-1967 -- Correspondence
Stöhr, Richard, 1874-1967
Symphonies

Administrative Information

Repository: Saint Michael's College Archives & Special Collections

Access Restrictions: The entire collection is available to the public. A separate Licensing Agreement exists for Stöhrs compositions. More information is available from the Archives upon request.

Acquisition Source: Richard Stöhr family.

Acquisition Method: The Stöhr collection was donated to Saint Michael’s by Stöhr’s family in 1974.

Separated Materials: Some audio recordings are housed in the AV Collection.

Related Materials:

CDs Richard Stöhr Chamber Music Volume one: the works for cello and piano: Cello sonata in A minor Op. 49, Fantasiestücke, Opus 17.  Stefan Koch, Robert Conway.

Richard Stöhr Chamber Music Volume Two Piano trio in e flat major op 16 three songs for low voice and piano with cello accompaniment Opus 21.  Laura Roelofs, Stefan Koch, Mary Siciliano, Seth Keeton.

Richard Stöhr Chamber music vol. three violin sonatas volin sonata no. 1 in G Major Opus 27, violin sonata no. 2 in a major Opus 62.  Ulrike-Anima Mathe, Scott Faigen.

Masterpieces rediscovered: music from Austria Germany and Russia. David Shostac, Antoinette Perry.

Richard Stöhr Christine Lavant Quartett (2 copies).

Preferred Citation: Richard Stöhr Papers, Saint Michael’s College Archives, Colchester, VT.

Processing Information: Mrs. Dorothy B. Hunt, music professor at nearby Trinity College, a friend of Stoehr and his wife, arranged the materials and created the inventory. Karl Raab, another family friend has further identified some compositions.


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Box 17
Folder 1: 1  (mimeograph) New Year’s Eve, Opus 57, no. 2, S.S.A.A. Choral parts only, in quantity. Score is in Carton No. 15, Item No. 6. Translated into English by Wilhelm Raab.  Given to St. Michael’s College Archives by U.V.M.)
Folder 2: (mimeograph)Crossing the Bar, no opus number.  Text by Tennyson. For mixed voices. Choral parts only. (Given to St. Michael’s College Archives by U.V.M.)
Item 1: Über die grundlagen musikalischer Wirkungen. Leipzig, 1924. (soft cover) <p style="margin-left:.5in;"> N.B. All 3 c. have been mutilated----musical examples clipped out, occasionally a whole page missing. There are numerous notations, some in early shorthand. This may have been done in the process of revising the work.
Item 2: Über die grundlagen musikalischer Wirkungen. Leipzig, 1924. (soft cover) <p style="margin-left:.5in;"> N.B. All 3 c. have been mutilated----musical examples clipped out, occasionally a whole page missing. There are numerous notations, some in early shorthand. This may have been done in the process of revising the work.
Item 3: Über die grundlagen musikalischer Wirkungen. Leipzig, 1924. (soft cover) <p style="margin-left:.5in;"> N.B. All 3 c. have been mutilated----musical examples clipped out, occasionally a whole page missing. There are numerous notations, some in early shorthand. This may have been done in the process of revising the work.
Item 4: Praktischer Leitfaden des Kontrapunkts. This work copyrighted in 1911. The present example is the revised fourth edition. Hard cover bound.
Item 5: Praktische Modulationslehre. Leipzig, 1915. 67 pages. Soft cover bound. Bound with the above is an Appendix (20 pgs), Leipzig, 1923. /  Praktische Modulationslehre. Leipzig, 1928. 85 pages. A revised and enlarged edition . Soft cover bound.
Item 6: Musikalische Formenlehre. First edition, 1911; third edition, 1917; fourth edition, 1921. 476 pages, Leipzig. 2 c. of this work identical except:  c. 1, 4--6 tausend; c. 2, tausend  Hard cover bound.  Item 6 and 7 are somewhat similar though Item 6 mentions neither Gl nor Orel. Some of the musical examples are the same, others not, as the index shows. Item 6 is much fuller (476 pages) than Item 7 (319 pages).
Item 7: Formenlehre der Musik. Leipzig, 1933. 319 pages. 8--10 tausend. copy 1: marked copyright 1933. Has Dr. Stoehr’s name written on outside cover.  The frontispiece describes Dr. Stoehr as Professor at the Academy in Vienna.  copy 2:  Cover: Richard Stoehr  Item 6 and 7 are somewhat similar though Item 6 mentions neither Gl nor Orel. Some of the musical examples are the same, others not, as the index shows. Item 6 is much fuller (476 pages) than Item 7 (319 pages).
Item 8: FORMENLEHRE der MUSIK The frontispiece describes Dr. Stoehr as Professor für Composition z. Zt Philadelphia, Pa. U.S.A. Reference is made to Dr. Alfred Orel on next page. No date.

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